Entries from November 2009 ↓

“This band has done more harm than almost any other group around today.”

- Jeff Godwin, The Devil’s Disciples, 1985

I’ve never been a huge Neil Young fan.  He’s one of those artists whose greatest hits get played so much on classic rock radio that you’re completely sick of them and I’ve also heard a lot of his stuff that I just don’t care for.  I do, however, love Harvest Moon and Arc-Weld for reasons that escape me since they’re not really that much of a departure from his other stuff.

The concert movie Rust Never Sleeps has always piqued my curiosity though.  The tour that this performance is from was once named one of the top concert performances by Rolling Stone.  If you’re unfamiliar with it, on this tour the roadies were dressed like Jawas from Star Wars and the stage had props like amplifiers whose size was exaggerated so that the people on stage were dwarfed.

The other aspect of this film that had me interested was that it was one of those movies that always was playing at the midnight movies when I was growing up.  By time I was old enough to go to them, the theatre started showing more modern movies so the movies I missed always had a bit of mystery to me.  When I saw the Rust Never Sleeps DVD used  for five dollars I bought it without hesitation.

From a concert perspective the performance is amazing.  A good chunk of the set is solo acoustic which I’m usually not crazy about, but Neil plays songs like “Sugar Mountain” and “After the Goldrush” with a great energy.  The solo songs are so good they almost overshadow his performance with Crazy Horse.  The electric songs are great as well, but based on what I’ve heard before that’s less of a suprise.

From a movie standpoint though it falls flat.  The opening sequence of the roadies shuffling around before the show gets boring after the first 30 seconds.   Same goes for the other interruptions throughout the show - they may have worked for the people in the crowd at the time but sitting through it in the movie becomes aggravating.  The sequence with the Woodstock announcements is beyond boring.

The sound and picture quality aren’t wonderful but for me that’s not an issue considering when it was made.  There is a weird thing about the sound though.  Between songs you can clearly hear Neil’s footsteps on the stage, him dragging the piano bench across the floor, even when he picks up a harmonica out of the glass they’re held in.  I don’t know if that was in the original film or if it’s part of the DVD mixing, or if it was even done on purpose.  It’s just odd.

The bottom line is that Rust Never Sleeps is one of the best concert films I’ve ever seen and I’m not even a big Neil Young fan, although it definitely has made me one now.

I love that first album cover.  In case it’s not clear he’s peeing on Steve Vai and Yngwie Malmsteen’s graves.  Not only that but he proves he’s a neoclassical guitarist by namechecking Paganini in his album title. 

The other one has a great title but the cover lacks any sort of disrespect to other guitarists.  It does, however, have his rendition of the patented Yngwie pout.

I have no clue about the actual content of each album, although in all seriousness I’m sure I would love them.

“You thought you were dead
Ha! I’m not done with you yet!
I’m going to the morgue to hunt you down
I’m going to the cemetary to find you
I’m going to your grave to dig you up”

- “Ultra Dead”, The Great Kat

In the heyday of shredding back in the late 80s any guitarist not signed to Shrapnel had to do something to make themselves stand out from the crowd.  Which is exactly what The Great Kat did.  The ads in various guitar magazines advertised her hyper-fast versions of classical songs combined with a dominatrix-type personality.

Needless to say, the younger version of me was dying for this album.  Now not so much that I was willing to pluck down however much they were charging to order it via mail, but I kept checking used music stores for it.

Nineteen years later I had a copy of Beethoven on Speed in my hot little hands thanks to my local Half Price Books.  When I paid for it the clerk told me that he had just put it out a couple of hours ago and thought that no one would ever buy it.

“I’ve wanted this for years,” was my reply.  I’m sure the hipsters working there think I’m a dick anyway so what do I care.

Anyway, the album itself is a combination of sped up classical songs like Beethoven’s 5th and Chopin’s Funeral March along with Kat originals such as “Kat-Abuse” and “Guitar Concerto in Blood Minor” (which sounds like something Dethklok would put together).  The whole thing is done pretty tongue in cheek with Kat’s dominating personality coming out in the linear notes (”I’ve got to live with this massive brain 24 hours a day!”).

Unfortunately it’s not very good.  The originals are pretty cookie-cutter and the classical songs lose their novelty after a couple of listens.  That being said I know that there are people who would be completely into this - it’s a very metal album and the guitar work is pretty good.  I think the 1990 me would have liked it a lot more than the 2009 me does.

The Great Kat has a very busy website here.

According to allmusic, there are two Anthrax releases today:  a deluxe edition of Among the Living and a live album, Caught in a Mosh:  BBC Live in Concert.

The BBC album sounds great - two shows from the Among the Living tour, one from the Hammersmith Odeon and their performance at the Donnington Festival.  There’s obviously some overlap between the two shows but there should be a different vibe between the two and it could turn out to be a great album.

The thing about Among the Living is that I’m not quite sure if I have it on CD or not.  I had it on cassette at one point and I’m fairly certain I bought it used on CD somewhere along the way.  It’s my favorite of the Belladonna-era stuff with a lot of strong songs.  The new edition comes with a live DVD and some outtakes but I think I”ll pass unless I can verify that I don’t own it already.